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Wirecast layers
Wirecast layers





wirecast layers

WIRECAST LAYERS HOW TO

We will start by going through how to add an image as a layer of an existing shot then cover how to add media as a new shot. Want to change up the layer sequence? Go ahead! Want to put all of your shots on one layer? If you can make it work, go for it! We like this tried and true method, but there is no perfect way of setting up your broadcast.There are two ways that one may want to add video and images to Wirecast, as a layer of an existing shot and as a new shot. One of the best parts of Wirecast is its ability to be customized in any way. **Just make sure you stay on top of which audio you have live!!** By putting your audio inputs at the bottom, they will filter “up” through your camera feed and media and be a constant in your broadcast. While the top television is the only one we can see, we can hear all of them because the audio cannot be blocked. Let’s go back to the stacked television/layers analogy. In direct opposition to what I just said about “lesser” media going toward the bottom, audio is arguably one of the most important parts of your broadcast.

wirecast layers

If you put your cameras below your extra media, you probably won’t encounter much of a problem, but it is nice to have the “less important” parts of your broadcast toward the bottom.Īt the bottom of your main shot list is audio. The layers at this point aren’t the most sensitive. Pictures, videos, animations…whatever you might need to supplement your camera feeds has its place here. This layer can be overlooked if you don’t find yourself running extra media, but if you do, put it here. Whether you are running a single webcam, or multiple SDI camera feeds, as long as you have them in layer three with some overlays in the top two layers, your show will look awesome. Live video is what makes your broadcast so awesome, and this is the layer we use to add all of our camera shots. Layer three is where Wirecast really shines. Prefabricating the lower thirds, and housing them in layer two will allow you to always have a quick and easy way to overlay some necessary information! Now that your first layer has your show/company logo, think what else you might need on top of all other footage….your name of course! Depending on how many people, or segments, you may have during your live stream, you will need at least one, and sometimes multiple, lower thirds. What do we put here? Our logo!! A nice, semi-transparent logo in one of the corners that can stay throughout your stream is an indispensable addition to any live broadcast.

wirecast layers

Whatever you put here will always be “on top” of everything else. Layer one can be described as the most important layer, not because it has the most important content, but because it will never be obscured by anything else in your main shot list. We have a nice system here at Telestream that incorporates everything we need into a well organized and easily manageable setup. You can have your live shot playing and check to make sure your preview shot is working well, all while monitoring additional pictures, media and camera feeds on lower layers. While this set up can be a bit confusing at first, it allows for some great customization. If they are all playing at once, I can hear the audio from all of them, but I can only see what is on the top. I like to think of them as individual televisions stacked on top of each other. When streaming with Wirecast, the layers that make up your main shot list are extremely important.







Wirecast layers